![]() ![]() These can be used as they are or stretched and manipulated in post. In these instances, sound effects are a strong choice, and with countless free options online, there’s no reason not to explore this route. As for sound, you may not get any at all when shooting slomo, depending on your camera. Some artificial lights can flicker when captured at high frame rates, so be wary of this. With the increased shutter speed mentioned above, you’re likely going to need a fair amount of light. You don’t have to reserve slow motion only for action-packed shots, but bear in mind that any subject that isn’t moving quickly is going to look almost stationary when played back at 5x slomo or more. Speaking of motion, really try to capture a lot of it. Try a shutter speed that’s slightly more than double your frame rate for cleaner motion, or a slightly slower one for some dramatic motion blur. Also, as slomo video isn’t quite as ‘natural’ as regular video to begin with, you can afford to experiment a bit here. We covered the 180° shutter rule in the magazine feature, but here’s another reminder, because it can be easy to forget to adjust your shutter speed when jumping between frame rates. If you’re opting for the latter, here are a few things to consider. When it comes to shooting, you can crank your camera up to its fastest frame rate and hope for the best, or you can keep a few basics in mind and get the best results. As a concept, it’s as simple as that! Slomo video tips Though specific numbers will vary, this relationship between capture speed and playback speed can be applied anywhere. For example, to play that 120fps clip at anything greater than 5x slomo, you’d be dropping below a playback speed of 24fps. This is why you need the fast frame rate and, of course, even this has limitations. If you play any clip back so slowly that it drops below standard playback speed, it will look unnatural. If you record 120 frames in a second, then play that footage back showing just 24 of those frames per second, your clip will take 5 seconds to play, because 120/24 = 5. ![]() Here, let’s use a 120fps capture speed and 24fps playback speed as an example, because the maths works out nicely. When it comes to playback, 24fps or 30fps is common, and the differences between the two are explained in the issue. Some more modern DSLRs and mirrorless cameras have the ability to shoot up to 120fps and beyond, but 60fps can still be slowed down nicely. You’ll need to make sure you’re capturing at a fairly fast frame rate. This won’t work with just any footage, though – or it won’t work well, at least. In short, it’s just the process of playing footage back at a slower frame rate than it was captured. While it may seem complex at a glance, slomo video is actually very simple. Luckily, we’re here to give you just that. That’s because slomo video is something a lot of videographers – even beginners – like to utilise in their videos, but it does take a little bit of understanding. In that feature we touched upon frame rate, with a brief mention of high frame rate recording. It’s a fairly comprehensive guide, so it’s well worth a read if you’re considering trying your hand at some video for the first time, or if you’re just looking to round out your knowledge. ![]() In issue 77 of the magazine, as part of the ongoing Photography News Summer Festival, we covered all the essentials of video shooting. Here’s what you need to know, along with a few shooting and editing tips. Slomo video can seem complex, but it’s really very simple. ![]()
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |